First thus. Octavo, pp., 220. Publisher’s pictorial softcover. Some cracking to spine and unobtrusive creasing to front of cover.

First LoPiccolo translation, from the twelfth German edition of 1903 (the last edition to be edited by Krafft-Ebing), comprising the first standard edition in English. Octavo, pp., xvii, 434. Publisher’s original red cloth, in ...

First thus. Octavo, pp., 174. Publisher’s pictorial softcover. A fine, unread copy, with slight wrinkling to the spine.

Tall quarto, pp., xii, 424. Original blue paper wraps, titles printed to covers. Complete with appendix and index. Tear to joint of lower cover, corners worn with loss, loss to head and tail of spine ...

Enlarged edition, after the first of 1923. Octavo, pp., xi, [3], 957, [1], plus tissue-guarded frontispiece of the poet. Polished navy-blue half-calf over blue buckram, spine on five raised bands, titled with nautical and hunting ...

First edition, tall quarto, pp., 96. Richly illustrated through with drawings and paintings by the artist. Publisher’s black cloth with gilt tiles to spine and upper board in a pictorial dust-jacket. A near fine ...

First edition, first printing. Octavo, pp., xxi, [1] blank verso, 375, [1] blank verso, plus full-colour paper-guarded frontispiece, 5 maps (1 folding), 87 half-tone photographic plates (1 double-page), 2 sketch plans within text, and errata ...

First edition, Octavo, pp., 432. Publisher’s dusky mauve cloth with silver titles to spine, in a beige and plum dust-jacket with repeating floral motif, designed by Martha Farlow. A near fine copy.

First editions. Octavos, variously pp., 173, 207 and 163. Dust Jackets all designed by Jeanne Saunders. Near fine copies.

Fifth edition in English, published the same year as the first, in seventh impression jacket. Octavo, pp., 755, [1]. Publisher’s original black buckram, titled in gilt to spine, in the original unclipped pictorial jacket ...

First edition. Octavo, pp., 253, [1]. Publisher’s original black cloth, titled in gilt to spine, in the original unclipped fuscia dust-jacket designed by John Woodcock. Top edge dyed red. Light spots of foxing to ...

Folio, pp., 4, sig., A². Alphanumeric codes in ink to recto of each leaf in a contemporary hand. Lightly foxed and toned, particularly to edges, long tear to central fold but sheet still attached ...